Mise En Scene
whats in the frame
colours
text
reflections
clothing
emotions
lighting
diversity
dynamicness
spacialism
Sound
Audio Briges
Diagetic or Non Diagetic Music
Off scene sound
Music type
Camera Angles
Type of shot long, close up two, hig/low angle
Tye of movement track, pan, tilt, zoom
Editing
Match on Action
Fade in and out
Flash between scenes
Ryhthem of cuts
Audio Bridges
Music changing per scene
Tuesday, 17 November 2009
What Makes a Film British
Whats Low Budget for America is High Buidget for Us
Woking Title
Were originally an Indie company started in 1985
Wish You were Here
My Beautiful Laundrett
Subsigery -eg Working Title and wt2 owned by other companies
Conglomirate- eg Universal Companies built up to make one large company
working with 30-50m at most
Ali G
£5m
opening scene 20%
had studio canal and universal possibly not british?
no problem therefore of export
American helicopters and police rap LA out of compton NDLA apeal to american audience
rap=youth
America vs British Saterical
real gang members
american stereotypes
English version then used Drum and Base "Bu Ya" used to appeal
Hot Fuzz
Hot Fuzz is a film produced by Working Title. It is about a well know Police Officer in London who is reassigned to a quiet town called Sandford, he struggles with the crime-free town.Then when a few grisly accdients rock the village, it's not long before he's back in action.British Characteristics:-Less Explosions, special effects.-Comedy is a lot more witty and British 'based'.-Seems to be a lot more dialogue than huge explosions/action that you see in American films.-Pub centre of talk etc.-Not in a big setting, like a city.-Small number of extra's.
Woking Title
Were originally an Indie company started in 1985
Wish You were Here
My Beautiful Laundrett
Subsigery -eg Working Title and wt2 owned by other companies
Conglomirate- eg Universal Companies built up to make one large company
working with 30-50m at most
Ali G
£5m
opening scene 20%
had studio canal and universal possibly not british?
no problem therefore of export
American helicopters and police rap LA out of compton NDLA apeal to american audience
rap=youth
America vs British Saterical
real gang members
american stereotypes
English version then used Drum and Base "Bu Ya" used to appeal
Hot Fuzz
Hot Fuzz is a film produced by Working Title. It is about a well know Police Officer in London who is reassigned to a quiet town called Sandford, he struggles with the crime-free town.Then when a few grisly accdients rock the village, it's not long before he's back in action.British Characteristics:-Less Explosions, special effects.-Comedy is a lot more witty and British 'based'.-Seems to be a lot more dialogue than huge explosions/action that you see in American films.-Pub centre of talk etc.-Not in a big setting, like a city.-Small number of extra's.
Mise en Scene and Editing in Sadaam
The text uses mise en scene to inform the reader through it’s signifiers. Firstly we see a room what signifies a home office because of it’s desk’s lamps and cushioned seats. The colours are warm reds browns and oranges which signifies exoticness, warmth and wealth. As we see the protagonist leaving the building he goes through a glass door again signifying wealth he has an accompanier who is wearing a suit which also signifies power and wealth. The protagonist is military connoted from his badges and green shirt but we can tell he’s Asian by the colour of his skin. It is night time the preferred reading of this is that they are escaping as we can tell from the signifiers they a walking quickly and it is night. The car is black and there are lots of shadows signifying the protagonist has a dark side or evil in some way. The verisimilitude of the reason for escape is anchored with the use of the flashes, smoking derelict car and uneven soil to signify war therefore the audience know something isn’t quite right. This scene is left polysemic as to the outcome of the protagonist to draw the readers attention. We begin the scene within the disequilibrium suggesting an equilibrium cam before it. We are then provided anchorage as to who the protagonist is meant to be by the use of the text. The producer juxtaposes a dark scene with a light scene. The next scene uses a glaring effect to signify heat and peace although signifies the binary opposites of peace and disorder with the use of the tanks, un even ground, rubble and smoke. The tanks, helicopters and smoke signify war and trouble a stereotypical view of the middle east as these signify. We see one shop window but the reflection is so great we can’t see through it which signifies hiding. The flowing costumes suggest a hot country along with the wavy air but the costumes also suggest hiding or hidden agenda’s. We can tell this is a country that uses Arabic writing by the use of it on the phone booth the use of a phone booth instead of a mobile signifies either the preferred reading of poverty or the negotiated reading of a past time period. The use of the golden poster of the protagonist as we saw in the last scene signifies he is the same character in this but in hiding as he’s not dressed the same it also signifies that he was once a ruler and like the text at the bottom of the screen which gives anchorage this provides a signifier for time has passed. As we see him in the phone booth the scene cuts to the lady signifying he is on the phone to her. The text uses the binary opposites male power and female abiding to juxtapose western and eastern power to signify conflict. The woman signifies western culture because of her dress her top is white which connotes innocence and her rings signify wealth. The producer uses the stereotype and present’s the woman with blonde hair and advertising her chest and bum through the camera to signify a primitive society by using our old fashioned views of woman instantly recognizable to the audience. However the countertype of a professional woman signifies this is still the modern day and Sadaam has power. We then see another contrast in scenes from this disrupted landscape to a natural idyllic landscape again signifying time has passed and a sense of lonliness as we see the boy swimming. The boy swimming signifies freedom but his freedom is upressed by the site of the protagonist. He has no possions visable but his clothing and is skinny signifying poverty a stereotypical divided view of the middle east by using the binary opposition of this with a chubbier more well dressed protagonist. The preferred reading therefore gets us to dislike the protagonist yet be compassionate with him by the use of close ups and showings of his relationships his bold black eyebrows signify evil a stereotypical view of middle eastern’s.
Representation of Ethnicity In Sadaam
1. Identify The Name of the Ethnic Group
Arab, Middle Eastern, Asia, Iraqi
NOT coloured or black
2. Binary Oposition/ Commutation Test
Look for binary oposites western, secular, wealth etc
Apply the commutation test how would it be portrayed if it were about Thais
3. Brainstorm the Stereotye
violent terrorist
brutal
poor
religious fantaticism/ fundamentalist
backwords, non scientific/ rational
Paritriachal, misoggynist, women invisible
robes
beards
non cauacasian skin pigmentation
4. Evidence from the Text
Accent-nationality though they all speek english breaking versimilitude
C lothing- head covered robes
Uncovered western on phone and pair not wholely covered in background
Military Uniform- changes from loss of power
Head Scarf- emotionally closed inhuman
Boy naked- poverty
Gender-lack of women on street, sadam tough woman cries the only woman we hear speek
pverty- car wrecks shatered window president using pay phone contrat with Samira's room
Religion- little countertypical
Terrosit- No evidence
Violent- Americans are
CLass- male servant
Arab, Middle Eastern, Asia, Iraqi
NOT coloured or black
2. Binary Oposition/ Commutation Test
Look for binary oposites western, secular, wealth etc
Apply the commutation test how would it be portrayed if it were about Thais
3. Brainstorm the Stereotye
violent terrorist
brutal
poor
religious fantaticism/ fundamentalist
backwords, non scientific/ rational
Paritriachal, misoggynist, women invisible
robes
beards
non cauacasian skin pigmentation
4. Evidence from the Text
Accent-nationality though they all speek english breaking versimilitude
C lothing- head covered robes
Uncovered western on phone and pair not wholely covered in background
Military Uniform- changes from loss of power
Head Scarf- emotionally closed inhuman
Boy naked- poverty
Gender-lack of women on street, sadam tough woman cries the only woman we hear speek
pverty- car wrecks shatered window president using pay phone contrat with Samira's room
Religion- little countertypical
Terrosit- No evidence
Violent- Americans are
CLass- male servant
Wednesday, 21 October 2009
The Magic Heart
This film was to explore the therories of Todorov and Propp however since this was our second shoot we eventually did three for technical reasons and then took a lesson to save it and import it on the right programme to edit it. We eventually only editied it within 10 minutes hence it's quit rough. We were trying to apply a story that began with an equilibriam a problem and a new equilibriam. Our beggining equalibrium was not well enough establlished but our problem was the hypnotist charming the girl and our new equalibrium was when the hyponitist was dead and the false hero had taken credit for saving the princess but the princess was saved things werent quite the same. As for Propps therory we had the princsess as the girl being hypnotised, the villain was me with the braclett or magic heart, the hero was Dom who took the magic heart the magic object was the mirrorthe dispatcher and doner mary gives and the magic heart the mother was lucy and the false hero was steph who takes the magic object and claims victory to the mother. The mirror could have been made clearer mayby a close up to show it as a magic object. We showed narative enigma by showing the dead body at the end and not resolving the situation making the audience contemplate what the preffered reading might be and enthralling them. We added dialogue and sound to anchor the signifiers to navigate the audience to a preffered reading although text addes might have done this better and music. We had the binary opposites of male and female, powerfull and not powerfull, encompanied and lonely with the repressentation of youth, gender, hetrosexuality and disability in the pricesses in ability to have free will when hypnotised.
Tuesday, 20 October 2009
Disability In UKTV Drama
All About me (2004) a comedy starring Jasper Carrot and a charactre with cerebral palsy
The Story of Tracy Beaker finished 2006 childrens drama based on the books by Jacquelyn Wilson and a character with learning disabilities.
Phycoville (2009) a comedy involving a character with learning disabilities and a dwarf.
Doctor Who a sci fi involves Davross and the leader of the cybermen as wheelchair users.
Casualty a continuing series involves the character Mr Jordan who through his brain tumor has speech and memory disabilities.
Grange Hill a children’s drama in 2003 it involved a character with asperges syndrome.
Byker Grove a children’s drama where the character played by Dec known by the double Ant and Dec went blind.
Little Britain a comedy involving the character pretending to be disabled Lou.
Robin Hood (2006-2007) the recent BBC adaptation didn’t include the blind character like in the film
Bionic Woman ITV drama (2007) A character who has a car accident and is near to death is given prosthetic bionic limbs, special eyesight and the ability to jump from building to building.
Bleak House (2007) a BBC literary drama involved the wheelchair user who used the phrase “shake me up judy!”.
Little Dorrit (2008) BBC Also involved a wheelchair using character.
Eastenders a soap where Ben Mitchell is a hard of hearing 10 year old.
Saturday, 10 October 2009
Representation of Gender In the Bunty for Girls and Closer Magazine


In a modern day closer however the pictures are all real, the women are thinner, less natural, more expresive, more dominant, the sotries are more shocking and have deeper materail, there are celebrities which the other doesnt and the text is more gossipy and bitchy. The pictures are real and women are thinner this siginifies girls should be this unaturally thin a stereotypical view of female beuty "get super toned legs" and other such like articles also pressurise this. The girls in it have more of a voice which is counter typical "marry me or else" but they are stereotypically more emotional than physical. The magazine pushes the bounderies more which is a stereotypical teenage ambition but countertypical to the conforms of 1950. This magazine conveys a more 3 dimensional representation of woman where on one hand they're vunerable, anerexic, depressive, weight gaining ugly looking woman showing how signifying stereotypically beuty is very important but countertypically so is hapyness although steotypically it conveys hapiness through losing weight by the diets they provide and makeup the advertise. The message is confusing. The other side to they portrayed is of bitchy, in charge and tumoling relationships of celebrity women this signifies stereotypically that it's ok for a girl to be like this. The men in the magazine are idolised as sexy hunks to be fought for and judged by women this is countertyical as the women are in charge. The wome in the magazine expecially the celebrities apear not to have proffesions and are famous for being famous this is stereotypical as it signifies girls should have nor profsion and be at home but unlike the Bunty it doesnt convey them doing housewrok The magazine is a stereotypical pink.
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